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Atricle Dump - Guerrilla PR- Chapter One
Street Signs ver what it sees in commercials. If Dan Rather says a new
sports shoe is a daring innovation, people will give that more credence than
if company spokesman Bo Jackson says it. The news, indeed the truth, is
what Dan Rather says it is.Streets signs' refers to signs put up on street sides for indicating street names, road signs, traffic signs, parking prohibitions, directions, maps, and other information. Street signs are put up on elevated spots so that they are clearly visible. Individuals also require street signs to put up personal advertisements or name and address of their house for easy location by the mail delivery personnel. However, putting up personal signs requires permission from the government authority prior to its installation.They are available in various materials such as metal, wood, aluminum and other such materials. Traditionally, materials such as wood was used to make sign boards for street signs. These days, street signs are made out of metals. There are engineer-grade reflective street signs and signboards made of .08-inch thick aluminum, which are fairly popular. These signs usually do not rust, and normally have an average life span of 7 years or more. They are ordered by the State and Federal D.O.T. specifications and are very commonly used by cities nationwide. It is important to use the specific hardware designed especially for flat street name signs.There are non-reflective street signs, which prove to be more economical but are effective only during daytime. They are sprayed with polyester powder, which is coated with paint and then are parched on. These signs are resistant to rust. The text is lettered with high performance vinyl. These signs are considered the best options where reflectivity is not required. They can be easily installed on round, square or "U" channel posts. Street signs also require special brackets that are easily found in hardware stores.Many websites provide individuals information relating to the different street signs. Individuals as well as businesses can opt to buy these signs as per requirements. It is highly advised to buyers that they preserve the proof of the purchase to confirm its legality. Individuals can also order for these street signs online. So who tells Dan Rather what’s news? The media like to boast they rely on ace newsgathering staffs; but in fact they depend a great deal on public relations people. That doesn’t mean the journalists of America are saps. They’re just looking for good stories. A hungry reporter and a smart publicist is a match made in heaven, and it’s been that way since the dawn of the Communication Age. FROM THE GUERRILLA P.R. FILE In Amarillo, Texas, you’ll find the Big Texan Steak Ranch, where the owner issues the following challenge: If you can eat a seventy-two-ounce steak in an hour, you get it free. News of the deal traveled far and wide, even to the skies where I first read about it in an airline magazine. GLORY DAYS: THE FOUNDING OF THE P.R. INDUSTRY The public relations industry flourished with the growth of twentieth-century mass media, although sensitivity to public opinion on the part of public figures is nothing new. Even Abraham Lincoln got into the act, declaring once, “What kills a skunk is the publicity it gives itself.” The fathers of modern P.R. knew the value of simple images to convey powerful messages. Edward Bernays, founder of modern P.R., defined his mission as the engineering of consent. He was a nephew of Sigmund Freud, and he strikes me as having been just as perceptive about human nature as his esteemed uncle. Bernays displayed a genius for concocting indelible images, something good P.R. campaigns require. In one early triumph, he arranged for young debutantes to smoke Lucky Strikes while strolling in New York’s 1929 Easter Parade. What Bernays sold to the press as a bold political statement on women’s rights was no more than a gimmick to sell cigarettes. Pioneers like publicist/film producer A.C. Lyles set the pace for generations of publicists to follow. Another innovator, Ivy Hill, is often credited with inventing the press release. Hill believed telling the “truth” in journalistic fashion would help shape public opinion. He sensed editors would not dismiss press releases as ads, but rather would perceive their real news value. He was right. The publicist’s ability to appeal to newspapers proved invaluable to captains of industry seeking to shore up their images. Back in the 1920s, Hill masterminded industrialist John D. Rockefeller’s much-ridiculed habit of handing out dimes to every child he met. Ridiculous but effective in its time. (Imagine T.Boone Pickens trying that today.) Occasionally, clients got less than they bargained for. In the late 1950s, the Ford Motor Company hired P.R. trail-blazer Ben Sonnenberg to help overcome the negative fallout from the Edsel fiasco. He charged Ford $50,000 for a foolproof P.R. plan, and after three days submitted it in person. Sonnenberg looked the breathless executives in the eye and intoned, “Do nothing.” With that, the dapper publicist pocketed his check and walked out, much to the slack-jawed shock of the Ford brain trust. Even nations sometimes need help. During the 1970s, Argentina developed a little P.R. problem when its government kidnapped and murdered thousands of its own citizens. Buenos Aires hired the high-powered U.S. firm of Burson- Marsteller to tidy things up. For a cool $1,000,000, the firm launched an extensive campaign involving opinion-makers from around the world: a stream of press releases stressed, among other things, the Argentine regime’s record in fighting terrorism. Sometimes the truth can be stretched until it tears itself in half. I don’t wish to give the impression that P.R. is strictly a polite version of lying. That’s not the case. As I said, P.R. is gift-wrapping. Whether delivered in fancy or plain paper, truth is truth, and the public ultimately comprehends it. The trick is packaging the truth on your own terms. How often have you read about a big movie s How to Write Ad Copy That Sells THE NATURE OF MEDIAIn our fast-paced society we all want quick results, delivery now, quick customer service, overnight shipping, etc. Why is that? The reason is simple -- "Time Is Money!"Picture this, a website with class "A" graphics, a beautiful flash menu, video with sound and all the bells & whistles. Now imagine this beautiful website without any physical words at all. How many sales do you think it would make?Rudyard Kipling once said, "Words are, of course, the most powerful drug used by mankind." Words make us laugh, cry and fall in love. Words have started wars and ended them. Same thing holds true when writing ad copy for your web site. The words you use have the power to positively explode your sales, or completely terminate them.Great copywriters of the advertising age have given us tested formulas for the mechanics of writing effective sales copy. Attention-getting headlines, body copy which appeals to your readers' emotions, and benefit-laden bullet points. You must answer the question "what's in it for me?" While you're at it, don't forget to build credibility, ask for the sale, offer a bonus and finish with a P.S. that reiterates the call to action.You write the ad copy but something is still missing. What you may have left out is the importance of style and delivery. Great copywriters, like great musicians, have practiced their delivery for years, honing their skills to razor sharpness. Like a Les Paul guitar in the hands of Eric Clapton, an accomplished copywriter's skilled delivery requires more than just an intimate knowledge of the basic fundamentals.What about the rest of us? What if I need to make sales NOW? Here is a secret that will speed you on your way to writing effective copy every time:Make use of these words in your ad: 1. "Fast" or "Quick" 2. "Guarantee" 3. "Limited" 4. "Easy" or "Simple" 5. "Testimonial" 6. "Free" 7. "Secret" Even the best sales copy rarely converts more than 2% of prospects to customers. So, don't worry about the 98% you know will not be interested in your message.One of the biggest mistakes that people make when writing copy is that they fail to write to their single ideal customer. Instead of focusing on the millions of potential readers out there on the Internet, effective web copy is written with one single individual in mind… your ideal customer!Imagine sitting in a bar or coffee shop, across the table from someone whose company you truly enjoy; a close friend, family member, or other loved one. Now, imagine that this person has just asked you for your advice or opinion about your favorite product. Write the ad copy as if you were talking to them out loud. Speak from the heart and do it quickly.Remember one thing when writing an ad copy... -- People buy with their emotions NOT with their mind.Make sure that you include some emotional words in your advertisement. Use words like: love, security, freedom, fun, satisfaction, etc., and you may also use words that provoke fear like: scams, mistakes, dangerous, etc.Once completed Thirty years ago, Marshall McCluhan, the father of modern communications, wrote the immortal words, “The medium is the message.” Today I would amend that to, “The medium is the media.” Our civilization is utterly dominated by the force of media. After our own families, no influence holds greater sway in shaping the text of our being than do the media that cloak us like an electronic membrane. We all think of ourselves as unique, unlike any person past or present. Indeed, what gives human life its divine spark is the distinct quality of every individual. Yet in many ways we are all the same. The task of market analysts, pollsters, and demographers is to identify those characteristics we share, and group us accordingly. If you are in your early forties, male, Caucasian, a father of two, earn $50,000 or more, and listen to a Top 40 radio station, there are total strangers out there who know an awful lot about you. That’s because they understand a lot about your upbringing. They know you watched “The Mickey Mouse Club” in the fifties, “The Man From U.N.C.L.E.” in the sixties, “Saturday Night Live” in the seventies, became environmentally conscious in the eighties, and were probably sorry ABC canceled “Thirtysomething” in the nineties. They’ve got your number because they understand the role the media have played in your life from the moment you Boomed as a Baby. Today, in America, we tune in to over 9,000 commercial radio stations, 1,100 television stations, 11,000 periodicals, and over 11,000 newspapers with a combined circulation of nearly seventy million. These are the sources of our opinions on everything from nuclear disarmament to Madonna’s love life. Nobody likes to be told what to think, but all of us, every single day, are told precisely what to think about. As Anthony Pratkanis and Elliot Aronson show in their insightful book, Age of Propaganda, the mass media are most effective in terms of persuading the public for two primary reasons. First, they teach new behavior and, second, they let us know that certain behaviors are legitimate and appropriate. So, if the media are encouraging certain buying patterns, fashion trends, modes of thinking, the unstated message we receive is “It’s okay for me to like that, do that, feel that.” In this way, our culture evolves, is accelerated, and disseminated. Like the transcontinental railroad of the last century, the media link every city, gully, farmhouse, and mountaintop in North America. Regionalism is fading. The American accent is more uniform; our penchant for migration and blending in is like the smoothing out of a great national blanket. We are fast becoming one. A common grammatical error occurs when people say “The media is” rather than “The media are” (“media” being the plural of medium”). Yet I sense people who say “the media is” are on to something. They perceive the many arms of the media-TV, newspapers, radio, etc.-as part of one monstrously monolithic creature. The media are “one” too. Consider “Baby Jessica” McClure, for whom my firm donated public relations services. Jessica was the toddler from Midland, Texas, who fell down a narrow pipe in her backyard in 1987. For thirty-six hours, America was mesmerized by press coverage of her rescue. Acting as a concerned neighbor, the media conveyed Jessica’s light to the nation. The private agony of the McClure family became the anguish of all America. Think of it: the temporary suffering of one “insignificant” little girl stopped the world’s most powerful country dead in its tracks. (Then, to canonize the experience, the TV movie version of Jessica’s story made it to the small screen within a year.) Without those cameras there to catch it, and those TV stations to broadcast it, Baby Jessica’s ordeal would have made absolutely no impact on anyone other than her family and those who saved her. Because of the media, all of America for two days became part of Jessica’s family. CONTRACTION AND EXPANSION Journalists and talk-show hosts like to claim they’re in the information business or the news business. But you know and I know they’re in the money business just like everyone else. Because practically all media are privately held profit-making ventures, they behave much like any other enterprise, looking for ways to increase the bottom line. To do that they must expand their consumer base, that is, their audience. They must give the customer what he or she wants. So if your local news station runs a few too many five-part specials on the illicit sex lives of nuns during “Sweeps Month,” remember they’re only trying to please the viewers. Creating a successful product means citizens may not always get the information they need. A Harvard researcher found the average network sound byte from presidential campaigns dropped from 41.5 seconds per broadcast in 1968 to just under 10 seconds in 1988. That translates into roughly sixteen words a night with which to make up our minds on who should run the country. We absorb more information, yet understand less than ever before. This is a logical consequence of big media. Their existence depends on keeping the audience tuned in. If TV station “A” covers candidate “B” droning on about farm subsidies, most of the audience will probably switch to station “C” running a story about the stray cat raised by an affectionate pig. Station “A” would be wise to ditch candidate “B” and send a crew out to film Porky and Tabby. Along with this contraction of information is a parallel expansion of media. Because social scientists have us so precisely categorized, outlets targeted to specific groups flourish. Lear’s caters to mature, high-income women. Details appeals to middle-income, fast-tracker men. Essence aims for black women. Peter Yarrow, of Peter, Paul, and Mary, tells a great story in his stage show to illustrate how narrowly focused we’ve become as a society. In the 1940s and 1950s we had the all-encompassing Life magazine. Then, we cropped our vision down to People magazine in the seventies (all of Life wasn’t good enough anymore). Things tightened up even more with Us. Now we have Self. Somewhere, there’s just gotta be a magazine just for you. I can just imagine it: on sale now, “Fred Morganstern Monthly.” Not only do we see more media outlets, but the flow of information has likewise increased dramatically the past few years. Fax machines, cellular phones, modems, fiber-optic cables, Low Power TV, satellite down-links, all have reshaped the way we get our information, when we get it, and what we do with it. During China’s “Goddess of Democracy” protests in 1989, the students kept in touch with the outside world via fax. Instantly, China seemed to leap forward from feudal empire to modern nation. Vietnam was the first “we’ll be right back after these messages” war. As napalm rained down on the jungle, we saw it live as it happened. We had no time to process information or analyze events as we were barraged by them. Because of improved communications, the Gulf War had the same effect, only with infinitely more drama. The media may have accelerated the process of dissemination, but as we found out in the days of the first supersonic jets, breaking the sound barrier did not, as some scientists feared, cause planes to disintegrate. Likewise, instant news did not cause us to psychologically disintegrate. There’s no way to assess what this means to society. To be carpet-bombed by information must have far-reaching consequences to our civilization, but that’s for future observers to sort out. Today, we face an intimidating media- driven culture. Anyone looking to succeed in business must first master the fundamentals of navigating the media. To reach customers, donors, or investors-to reach the public-one must rely on the media as the prime intermediary. The methodology to achieve this is known as Public Relations. THE NATURE OF PUBLIC RELATIONS Half the world is composed of people who have something to say and can’t, and the other half who have nothing to say and keep on saying it. -- Robert Frost I’m often asked whether public relations is a science or an art. That’s a valid question. In science, two plus two equals four. It will always equal four whether added by a Republican from Iowa, a shaman from New Guinea, or an alien from Planet X. However, in public relations, two plus two may equal four. It may equal five. It may equal zero today and fifty tomorrow. Public relations is an art. Like an art, there are rules of form, proven techniques, and standards of excellence. But, overall, it’s a mercurial enterprise, where instinct is as legitimate as convention. Public relations was once defined as the ability to provide the answers before the public knows enough to ask the questions. Another P.R. pundit once stated, “We don’t persuade people. We simply offer them reasons to persuade themselves.” I define what I do as gift-wrapping. If you package a bracelet in a Tiffany box, it will have a higher perceived value than if presented in a K Mart box. Same bracelet, different perception. PERCEPTION IS REALITY Don Burr, former CEO of People Express Airlines, once said, “In the airline industry, if passengers see coffee stains on the food tray, they assume the engine maintenance isn’t done right.” That may seem irrational, but in this game, perception, not the objective truth, matters most. How one comprehends given information is all-important in public relations. For decades, baby harp seals were bludgeoned to death by fur hunters, but until the public saw the cute little critters up close and personal and perceived the hunt as unacceptable, the problem didn’t exist. Before that, it was a matter of trappers preserving their hardy way of life. The seals ultimately hired the better publicist. This also works in negative ways. The congressional check-bouncing scandal was a case in which individual congressmen’s visibility skyrocketed, while their credibility plummeted. The Tobacco Institute, a Washington-based lobbying and P.R. outfit, spends its time and money claiming cigarettes are okay. Nothing they do or say will ever make that true, but they may go a long way in changing public perception of their product. A few years ago they sponsored subliminally that no-smoking regulations infringe on our basic liberties. How’s that for a P.R. stretch? Ultimately, the goal of any public relations campaign is to either reorient, or solidify, perception of a product, client, policy, or event. From there, nature takes its course. If the public perceives the product as good, the movie star as sexy, the pet rock as indispensable, then the public will fork over its money. As the brilliant business author Dr. Judith Bardwick explained, “To be perceived as visible increasingly means one is perceived as successful.” Some may charge that stressing perception as reality is tantamount to sanctioning falsehood. I disagree. As the great historian Max Dimont argued, it didn’t matter if Moses really did have a chat with the Lord up on Mount Sinai or not. What matters is that the Jewish people believed it and carved their unique place in world civilizations because of it. Perception became reality. Likewise, on a more mundane scale, one will succeed in a P.R. campaign only if the perception fostered truly resonates with the public. I do not believe people are easily duped. You may try everything in your bag of tricks to get the public to see things your way. You’ll pull it off only if the perception you seek to convey fits the reality of the public, the reality of the times. As Pretkanis and Eronson argue, credibility today is manufactured, and not earned. P.R. OR PUBLICITY? Often, the terms “public relations” and “publicity” are used interchangeably. They shouldn’t be. Publicity is only one manifestation of P.R.-specifically, achieving notoriety through accumulated press exposure. A publicist knows newspapers, magazines, and TV talk shows. Public Relations is much more than that. The Public Relations expert is as well versed in human nature as in editorial and sound bytes. P.R. can be as macro as a campaign to persuade foreign governments so buy U.S. soybeans, or as micro as a warm handshake. The notion that P.R. is simply a matter of mailing press releases is nuttier than a squirrel’s breakfast. As producer, manager, and publicist Jay Bernstein says, “P.R. is getting a front table at the right restaurant, getting you invited to the right party, and getting into first class with a tourist ticket.” A man who has greatly affected my thinking, the esteemed business author and lecturer Tom Peters, tells the story of a visit to a neighborhood convenience store. “American Express was being a little user-unfriendly,” Tom recalls, “and it took a good three minutes for my AMEX card to clear. When it finally did, the cashier bagged my purchase, and as I turned to go reached into a jar of two-cent foil-wrapped mints. He pulled one out, dropped it in my bag, and said, ‘The delay you experienced was inexcusable. I apologize and hope it doesn’t happen again. Come back soon.’ For two cents, he bought my loyalty for life.” This story is about one small business owner and only one customer, but it’s a perfect example of good P.R. But what about bad P.R.? I doubt there’s anyone on the scene who has mastered that dubious craft better than sometime-billionaire Donald Trump. This is a man who has lost control of his own gilded ship. His lurid infidelities, his profligate spending, his precipitous fall from fortune, and, worst of all, his attempt to exploit the Mike Tyson rape tragedy to promote a prize fight, collectively paint a portrait of a thoroughly vulgar mind. The Donald doesn’t care what you say about him, as long as you spell his name right. True, whenever he opens his mouth or makes a move, the press is all over him. But his massive celebrity has made him only a famous fool. You are not likely to achieve the degree of fame that Mr. Trump has, but, given his shameful image, I would congratulate you on that. P.R. VS. MARKETING With Guerrilla P.R. (and P.R. in general), you do not tell the public that your new digital fish cleaner is the greatest invention since the dawn of time. You could easily do that in an ad. Your goal is to lead people to draw that same conclusion for themselves. Otherwise, you’re engaging in good old-fashioned- or is it new-fashioned?-marketing strategy. Companies often relegate public relations to their marketing departments. That might make sense from a corporate point of view, but there’s a distinct difference between P.R. and marketing. Going back to the “science vs. art” analogy, whereas P.R. is the art, marketing is the science. Bob Serling, President of the Stratford Marketing Group, an L.A.-based marketing firm, has written, “Marketing is everything you do to make sure your customers find out about, and buy, your products and services.” That’s a tall order, and to go about filling it, marketing executives lug around a hefty bag of tricks. To a large degree, they rely on surveys, demographic analyses and established sales and advertising procedures to accomplish their goals. But in Public Relations, intangibles play a far greater role. How do you measure a feeling? It’s not easy, but in P.R. we trade in the realm of feelings every day. We may use the media as the vehicle, but the landscape we traverse is contoured by human emotion. Marketing often goes hand-in-hand with advertising. The undeniable advantage with advertising is that the advertiser retains full control. He knows exactly what his message will say and precisely when it will be seen. But remember this little fact of life: most top ad agencies consider a 1-2 percent response rate a triumph. That’s all it takes to make them happy. And, like it or not, most people don’t take ads as seriously as advertisers would like. Everybody knows they’re bought and paid for. I prefer the odds with major media exposure. True, you do lose a large measure of control, and you never know for sure when or how your message will be conveyed. But the public is far likelier to accept what it gleans from the news media over what it sees in commercials. If Dan Rather says a new sports shoe is a daring innovation, people will give that more credence than if company spokesman Bo Jackson says it. The news, indeed the truth, is what Dan Rather says it is. So who tells Dan Rather what’s news? The media like to boast they rely on ace newsgathering staffs; but in fact they depend a great deal on public relations people. That doesn’t mean the journalists of America are saps. They’re just looking for good stories. A hungry reporter and a smart publicist is a match made in heaven, and it’s been that way since the dawn of the Communication Age. FROM THE GUERRILLA P.R. FILE In Amarillo, Texas, you’ll find the Big Texan Steak Ranch, where the owner issues the following challenge: If you can eat a seventy-two-ounce steak in an hour, you get it free. News of the deal traveled far and wide, even to the skies where I first read about it in an airline magazine. GLORY DAYS: THE FOUNDING OF THE P.R. INDUSTRY The public relations industry flourished with the growth of twentieth-century mass media, although sensitivity to public opinion on the part of public figures is nothing new. Even Abraham Lincoln got into the act, declaring once, “What kills a skunk is the publicity it gives itself.” The fathers of modern P.R. knew the value of simple images to convey powerful messages. Edward Bernays, founder of modern P.R., defined his mission as the engineering of consent. He was a nephew of Sigmund Freud, and he strikes me as having been just as perceptive about human nature as his esteemed uncle. Bernays displayed a genius for concocting indelible images, something good P.R. campaigns require. In one early triumph, he arranged for young debutantes to smoke Lucky Strikes while strolling in New York’s 1929 Easter Parade. What Bernays sold to the press as a bold political statement on women’s rights was no more than a gimmick to sell cigarettes. Pioneers like publicist/film producer A.C. Lyles set the pace for generations of publicists to follow. Another innovator, Ivy Hill, is often credited with inventing the press release. Hill believed telling the “truth” in journalistic fashion would help shape public opinion. He sensed editors would not dismiss press releases as ads, but rather would perceive their real news value. He was right. The publicist’s ability to appeal to newspapers proved invaluable to captains of industry seeking to shore up their images. Back in the 1920s, Hill masterminded industrialist John D. Rockefeller’s much-ridiculed habit of handing out dimes to every child he met. Ridiculous but effective in its time. (Imagine T.Boone Pickens trying that today.) Occasionally, clients got less than they bargained for. In the late 1950s, the Ford Motor Company hired P.R. trail-blazer Ben Sonnenberg to help overcome the negative fallout from the Edsel fiasco. He charged Ford $50,000 for a foolproof P.R. plan, and after three days submitted it in person. Sonnenberg looked the breathless executives in the eye and intoned, “Do nothing.” With that, the dapper publicist pocketed his check and walked out, much to the slack-jawed shock of the Ford brain trust. Even nations sometimes need help. During the 1970s, Argentina developed a little P.R. problem when its government kidnapped and murdered thousands of its own citizens. Buenos Aires hired the high-powered U.S. firm of Burson- Marsteller to tidy things up. For a cool $1,000,000, the firm launched an extensive campaign involving opinion-makers from around the world: a stream of press releases stressed, among other things, the Argentine regime’s record in fighting terrorism. Sometimes the truth can be stretched until it tears itself in half. I don’t wish to give the impression that P.R. is strictly a polite version of lying. That’s not the case. As I said, P.R. is gift-wrapping. Whether delivered in fancy or plain paper, truth is truth, and the public ultimately comprehends it. The trick is packaging the truth on your own terms. How often have you read about a big movie st Go Ask Alice hey’re in the information
business or the news business. But you know and I know they’re in the
money business just like everyone else. Because practically all media are
privately held profit-making ventures, they behave much like any other
enterprise, looking for ways to increase the bottom line.One of fiction's finest marketing minds, The Cheshire Cat, once told Alice in Wonderland something all business owners and marketers should remember:"If you don't care where you are going, it doesn't make a difference which path you take."For businesses bent upon success, it does matter which path you take. A positioning statement helps you chart your path to success because it lets all your audiences - internal and external - know where your organization stands in the battle for your consumers' minds.Positioning: What Is It?You should not confuse a positioning statement with your market position. As Harry Beckwith states in his book Selling the Invisible, "A position is a cold-hearted, no-nonsense statement of how you are perceived in the minds of your prospects. A positioning statement, by contrast expresses how you wish to be perceived. It is the core message you want to deliver in every medium."Your positioning statement will be found where three items intersect:- your business acumen/aspirations - your market - what truly differentiates youOf the three, it is your market which holds the key to your positioning. That doesn't mean that your acumen and aspirations are irrelevant. You must have a clear understanding and shared agreement on these at the management level in order to develop an effective positioning statement.My approach to developing an effective positioning statement and an actionable marketing plan begins with gaining this understanding. Here's how we go about it, and you can too:- interviews with management and employees to learn job responsibilities, current marketing practices, as well as to surface questions for customer interviews- a review of appropriate primary and secondary research- a series of one-on-one customer interviewsCustomer interviews allow us to probe for information such as:- how customers perceive your "product" and other products in the category. what the customer wants from the product category he is not now receiving. what is the primary customer benefit of your product- how your customers currently position your brand. how customers perceive your competitors- what media habits, lifestyles do customers share. what industries do they work in, what are their titles, what associations do they belong to- how do customers want to be communicated withOnce all the information is in, you may develop a positioning statement that clearly says who you are, defines your audiences, indicates what markets you are targeting, and states what makes you different from your competitors.Once this is done, everyone knows where they are going and then it's easy to find the right path. To do that they must expand their consumer base, that is, their audience. They must give the customer what he or she wants. So if your local news station runs a few too many five-part specials on the illicit sex lives of nuns during “Sweeps Month,” remember they’re only trying to please the viewers. Creating a successful product means citizens may not always get the information they need. A Harvard researcher found the average network sound byte from presidential campaigns dropped from 41.5 seconds per broadcast in 1968 to just under 10 seconds in 1988. That translates into roughly sixteen words a night with which to make up our minds on who should run the country. We absorb more information, yet understand less than ever before. This is a logical consequence of big media. Their existence depends on keeping the audience tuned in. If TV station “A” covers candidate “B” droning on about farm subsidies, most of the audience will probably switch to station “C” running a story about the stray cat raised by an affectionate pig. Station “A” would be wise to ditch candidate “B” and send a crew out to film Porky and Tabby. Along with this contraction of information is a parallel expansion of media. Because social scientists have us so precisely categorized, outlets targeted to specific groups flourish. Lear’s caters to mature, high-income women. Details appeals to middle-income, fast-tracker men. Essence aims for black women. Peter Yarrow, of Peter, Paul, and Mary, tells a great story in his stage show to illustrate how narrowly focused we’ve become as a society. In the 1940s and 1950s we had the all-encompassing Life magazine. Then, we cropped our vision down to People magazine in the seventies (all of Life wasn’t good enough anymore). Things tightened up even more with Us. Now we have Self. Somewhere, there’s just gotta be a magazine just for you. I can just imagine it: on sale now, “Fred Morganstern Monthly.” Not only do we see more media outlets, but the flow of information has likewise increased dramatically the past few years. Fax machines, cellular phones, modems, fiber-optic cables, Low Power TV, satellite down-links, all have reshaped the way we get our information, when we get it, and what we do with it. During China’s “Goddess of Democracy” protests in 1989, the students kept in touch with the outside world via fax. Instantly, China seemed to leap forward from feudal empire to modern nation. Vietnam was the first “we’ll be right back after these messages” war. As napalm rained down on the jungle, we saw it live as it happened. We had no time to process information or analyze events as we were barraged by them. Because of improved communications, the Gulf War had the same effect, only with infinitely more drama. The media may have accelerated the process of dissemination, but as we found out in the days of the first supersonic jets, breaking the sound barrier did not, as some scientists feared, cause planes to disintegrate. Likewise, instant news did not cause us to psychologically disintegrate. There’s no way to assess what this means to society. To be carpet-bombed by information must have far-reaching consequences to our civilization, but that’s for future observers to sort out. Today, we face an intimidating media- driven culture. Anyone looking to succeed in business must first master the fundamentals of navigating the media. To reach customers, donors, or investors-to reach the public-one must rely on the media as the prime intermediary. The methodology to achieve this is known as Public Relations. THE NATURE OF PUBLIC RELATIONS Half the world is composed of people who have something to say and can’t, and the other half who have nothing to say and keep on saying it. -- Robert Frost I’m often asked whether public relations is a science or an art. That’s a valid question. In science, two plus two equals four. It will always equal four whether added by a Republican from Iowa, a shaman from New Guinea, or an alien from Planet X. However, in public relations, two plus two may equal four. It may equal five. It may equal zero today and fifty tomorrow. Public relations is an art. Like an art, there are rules of form, proven techniques, and standards of excellence. But, overall, it’s a mercurial enterprise, where instinct is as legitimate as convention. Public relations was once defined as the ability to provide the answers before the public knows enough to ask the questions. Another P.R. pundit once stated, “We don’t persuade people. We simply offer them reasons to persuade themselves.” I define what I do as gift-wrapping. If you package a bracelet in a Tiffany box, it will have a higher perceived value than if presented in a K Mart box. Same bracelet, different perception. PERCEPTION IS REALITY Don Burr, former CEO of People Express Airlines, once said, “In the airline industry, if passengers see coffee stains on the food tray, they assume the engine maintenance isn’t done right.” That may seem irrational, but in this game, perception, not the objective truth, matters most. How one comprehends given information is all-important in public relations. For decades, baby harp seals were bludgeoned to death by fur hunters, but until the public saw the cute little critters up close and personal and perceived the hunt as unacceptable, the problem didn’t exist. Before that, it was a matter of trappers preserving their hardy way of life. The seals ultimately hired the better publicist. This also works in negative ways. The congressional check-bouncing scandal was a case in which individual congressmen’s visibility skyrocketed, while their credibility plummeted. The Tobacco Institute, a Washington-based lobbying and P.R. outfit, spends its time and money claiming cigarettes are okay. Nothing they do or say will ever make that true, but they may go a long way in changing public perception of their product. A few years ago they sponsored subliminally that no-smoking regulations infringe on our basic liberties. How’s that for a P.R. stretch? Ultimately, the goal of any public relations campaign is to either reorient, or solidify, perception of a product, client, policy, or event. From there, nature takes its course. If the public perceives the product as good, the movie star as sexy, the pet rock as indispensable, then the public will fork over its money. As the brilliant business author Dr. Judith Bardwick explained, “To be perceived as visible increasingly means one is perceived as successful.” Some may charge that stressing perception as reality is tantamount to sanctioning falsehood. I disagree. As the great historian Max Dimont argued, it didn’t matter if Moses really did have a chat with the Lord up on Mount Sinai or not. What matters is that the Jewish people believed it and carved their unique place in world civilizations because of it. Perception became reality. Likewise, on a more mundane scale, one will succeed in a P.R. campaign only if the perception fostered truly resonates with the public. I do not believe people are easily duped. You may try everything in your bag of tricks to get the public to see things your way. You’ll pull it off only if the perception you seek to convey fits the reality of the public, the reality of the times. As Pretkanis and Eronson argue, credibility today is manufactured, and not earned. P.R. OR PUBLICITY? Often, the terms “public relations” and “publicity” are used interchangeably. They shouldn’t be. Publicity is only one manifestation of P.R.-specifically, achieving notoriety through accumulated press exposure. A publicist knows newspapers, magazines, and TV talk shows. Public Relations is much more than that. The Public Relations expert is as well versed in human nature as in editorial and sound bytes. P.R. can be as macro as a campaign to persuade foreign governments so buy U.S. soybeans, or as micro as a warm handshake. The notion that P.R. is simply a matter of mailing press releases is nuttier than a squirrel’s breakfast. As producer, manager, and publicist Jay Bernstein says, “P.R. is getting a front table at the right restaurant, getting you invited to the right party, and getting into first class with a tourist ticket.” A man who has greatly affected my thinking, the esteemed business author and lecturer Tom Peters, tells the story of a visit to a neighborhood convenience store. “American Express was being a little user-unfriendly,” Tom recalls, “and it took a good three minutes for my AMEX card to clear. When it finally did, the cashier bagged my purchase, and as I turned to go reached into a jar of two-cent foil-wrapped mints. He pulled one out, dropped it in my bag, and said, ‘The delay you experienced was inexcusable. I apologize and hope it doesn’t happen again. Come back soon.’ For two cents, he bought my loyalty for life.” This story is about one small business owner and only one customer, but it’s a perfect example of good P.R. But what about bad P.R.? I doubt there’s anyone on the scene who has mastered that dubious craft better than sometime-billionaire Donald Trump. This is a man who has lost control of his own gilded ship. His lurid infidelities, his profligate spending, his precipitous fall from fortune, and, worst of all, his attempt to exploit the Mike Tyson rape tragedy to promote a prize fight, collectively paint a portrait of a thoroughly vulgar mind. The Donald doesn’t care what you say about him, as long as you spell his name right. True, whenever he opens his mouth or makes a move, the press is all over him. But his massive celebrity has made him only a famous fool. You are not likely to achieve the degree of fame that Mr. Trump has, but, given his shameful image, I would congratulate you on that. P.R. VS. MARKETING With Guerrilla P.R. (and P.R. in general), you do not tell the public that your new digital fish cleaner is the greatest invention since the dawn of time. You could easily do that in an ad. Your goal is to lead people to draw that same conclusion for themselves. Otherwise, you’re engaging in good old-fashioned- or is it new-fashioned?-marketing strategy. Companies often relegate public relations to their marketing departments. That might make sense from a corporate point of view, but there’s a distinct difference between P.R. and marketing. Going back to the “science vs. art” analogy, whereas P.R. is the art, marketing is the science. Bob Serling, President of the Stratford Marketing Group, an L.A.-based marketing firm, has written, “Marketing is everything you do to make sure your customers find out about, and buy, your products and services.” That’s a tall order, and to go about filling it, marketing executives lug around a hefty bag of tricks. To a large degree, they rely on surveys, demographic analyses and established sales and advertising procedures to accomplish their goals. But in Public Relations, intangibles play a far greater role. How do you measure a feeling? It’s not easy, but in P.R. we trade in the realm of feelings every day. We may use the media as the vehicle, but the landscape we traverse is contoured by human emotion. Marketing often goes hand-in-hand with advertising. The undeniable advantage with advertising is that the advertiser retains full control. He knows exactly what his message will say and precisely when it will be seen. But remember this little fact of life: most top ad agencies consider a 1-2 percent response rate a triumph. That’s all it takes to make them happy. And, like it or not, most people don’t take ads as seriously as advertisers would like. Everybody knows they’re bought and paid for. I prefer the odds with major media exposure. True, you do lose a large measure of control, and you never know for sure when or how your message will be conveyed. But the public is far likelier to accept what it gleans from the news media over what it sees in commercials. If Dan Rather says a new sports shoe is a daring innovation, people will give that more credence than if company spokesman Bo Jackson says it. The news, indeed the truth, is what Dan Rather says it is. So who tells Dan Rather what’s news? The media like to boast they rely on ace newsgathering staffs; but in fact they depend a great deal on public relations people. That doesn’t mean the journalists of America are saps. They’re just looking for good stories. A hungry reporter and a smart publicist is a match made in heaven, and it’s been that way since the dawn of the Communication Age. FROM THE GUERRILLA P.R. FILE In Amarillo, Texas, you’ll find the Big Texan Steak Ranch, where the owner issues the following challenge: If you can eat a seventy-two-ounce steak in an hour, you get it free. News of the deal traveled far and wide, even to the skies where I first read about it in an airline magazine. GLORY DAYS: THE FOUNDING OF THE P.R. INDUSTRY The public relations industry flourished with the growth of twentieth-century mass media, although sensitivity to public opinion on the part of public figures is nothing new. Even Abraham Lincoln got into the act, declaring once, “What kills a skunk is the publicity it gives itself.” The fathers of modern P.R. knew the value of simple images to convey powerful messages. Edward Bernays, founder of modern P.R., defined his mission as the engineering of consent. He was a nephew of Sigmund Freud, and he strikes me as having been just as perceptive about human nature as his esteemed uncle. Bernays displayed a genius for concocting indelible images, something good P.R. campaigns require. In one early triumph, he arranged for young debutantes to smoke Lucky Strikes while strolling in New York’s 1929 Easter Parade. What Bernays sold to the press as a bold political statement on women’s rights was no more than a gimmick to sell cigarettes. Pioneers like publicist/film producer A.C. Lyles set the pace for generations of publicists to follow. Another innovator, Ivy Hill, is often credited with inventing the press release. Hill believed telling the “truth” in journalistic fashion would help shape public opinion. He sensed editors would not dismiss press releases as ads, but rather would perceive their real news value. He was right. The publicist’s ability to appeal to newspapers proved invaluable to captains of industry seeking to shore up their images. Back in the 1920s, Hill masterminded industrialist John D. Rockefeller’s much-ridiculed habit of handing out dimes to every child he met. Ridiculous but effective in its time. (Imagine T.Boone Pickens trying that today.) Occasionally, clients got less than they bargained for. In the late 1950s, the Ford Motor Company hired P.R. trail-blazer Ben Sonnenberg to help overcome the negative fallout from the Edsel fiasco. He charged Ford $50,000 for a foolproof P.R. plan, and after three days submitted it in person. Sonnenberg looked the breathless executives in the eye and intoned, “Do nothing.” With that, the dapper publicist pocketed his check and walked out, much to the slack-jawed shock of the Ford brain trust. Even nations sometimes need help. During the 1970s, Argentina developed a little P.R. problem when its government kidnapped and murdered thousands of its own citizens. Buenos Aires hired the high-powered U.S. firm of Burson- Marsteller to tidy things up. For a cool $1,000,000, the firm launched an extensive campaign involving opinion-makers from around the world: a stream of press releases stressed, among other things, the Argentine regime’s record in fighting terrorism. Sometimes the truth can be stretched until it tears itself in half. I don’t wish to give the impression that P.R. is strictly a polite version of lying. That’s not the case. As I said, P.R. is gift-wrapping. Whether delivered in fancy or plain paper, truth is truth, and the public ultimately comprehends it. The trick is packaging the truth on your own terms. How often have you read about a big movie s What Not to Do When Creating A Buzz /p>I encourage you using controversy to differentiate your business from your competitors. But when you do, you’d better know what you are doing.A Mitsubishi dealership in Columbus, OH recently decided to run “A Jihad on the automotive market” ad campaign that declares, “Our prices are lower than evildoers’ everyday, just ask the Pope”.I don’t think everybody who hears the message on the radio takes it well. However, the dealership accomplished one goal — they got everybody’s attention. National media picked up the news and talked about the incident and it’s obviously making them more famous but not necessarily popular.Being controversial does not demonstrate your advantage. Those who hear the marketing message need to know how their message focuses on them and what kind of problem this dealership solves.But what is the center of this ad campaign? Their message mentions how their dealership offers vehicles at lower prices than others (you hear this from every car dealership in every city).In the past, I mentioned in a different article how you should not guarantee the lowest price especially if you are in the car business. Because in the automobile industry, the market demands certain pricing for vehicles and lowering the prices should not be your selling proposition. But packaging the right products with services at fair prices should be.So what does this message accomplish? In my opinion, it accomplishes nothing because their message confuses the market with “silly” proposal that uses rather controversial and offensive theme. Whoever listening to this radio ad cannot help but to think,“Huh?”It’s silly and just repeats the same old, “We guarantee the lowest prices if you can qualify” message.Instead, I would rather see “a war against the industry”. The market demands change in the industry and if this dealership steps up to be the first one in the city to completely change the perception of the business, it will be controversial and effective.When CarMax Inc. first came into the used car industry, analysts and critics didn’t think it would do well, offering fixed prices and paying sales people flat commission.But it worked because their move was bold, controversial and daring but not silly like this Columbus dealership campaigned their ad. CarMax’s message articulates their advantages when compares to all the other competitors while completely focusing their marketing campaign to the interest of the audience. That is controversial but the business certainly knows what they are doing.They craft marketing messages only after conducting market research, and doesn’t run “Let’s wear ‘burquas’ and dress like Islamic women!” high school like silly marketing campaign.If you use controversy in your marketing campaign, please craft your proposition according to what the market demands and how you can solve their problem.Being controversy will get your attention you deserve but being silly and poking a little fun at sensetive events will hurt your credibility more than you bargain for.It takes years to b I’m often asked whether public relations is a science or an art. That’s a valid question. In science, two plus two equals four. It will always equal four whether added by a Republican from Iowa, a shaman from New Guinea, or an alien from Planet X. However, in public relations, two plus two may equal four. It may equal five. It may equal zero today and fifty tomorrow. Public relations is an art. Like an art, there are rules of form, proven techniques, and standards of excellence. But, overall, it’s a mercurial enterprise, where instinct is as legitimate as convention. Public relations was once defined as the ability to provide the answers before the public knows enough to ask the questions. Another P.R. pundit once stated, “We don’t persuade people. We simply offer them reasons to persuade themselves.” I define what I do as gift-wrapping. If you package a bracelet in a Tiffany box, it will have a higher perceived value than if presented in a K Mart box. Same bracelet, different perception. PERCEPTION IS REALITY Don Burr, former CEO of People Express Airlines, once said, “In the airline industry, if passengers see coffee stains on the food tray, they assume the engine maintenance isn’t done right.” That may seem irrational, but in this game, perception, not the objective truth, matters most. How one comprehends given information is all-important in public relations. For decades, baby harp seals were bludgeoned to death by fur hunters, but until the public saw the cute little critters up close and personal and perceived the hunt as unacceptable, the problem didn’t exist. Before that, it was a matter of trappers preserving their hardy way of life. The seals ultimately hired the better publicist. This also works in negative ways. The congressional check-bouncing scandal was a case in which individual congressmen’s visibility skyrocketed, while their credibility plummeted. The Tobacco Institute, a Washington-based lobbying and P.R. outfit, spends its time and money claiming cigarettes are okay. Nothing they do or say will ever make that true, but they may go a long way in changing public perception of their product. A few years ago they sponsored subliminally that no-smoking regulations infringe on our basic liberties. How’s that for a P.R. stretch? Ultimately, the goal of any public relations campaign is to either reorient, or solidify, perception of a product, client, policy, or event. From there, nature takes its course. If the public perceives the product as good, the movie star as sexy, the pet rock as indispensable, then the public will fork over its money. As the brilliant business author Dr. Judith Bardwick explained, “To be perceived as visible increasingly means one is perceived as successful.” Some may charge that stressing perception as reality is tantamount to sanctioning falsehood. I disagree. As the great historian Max Dimont argued, it didn’t matter if Moses really did have a chat with the Lord up on Mount Sinai or not. What matters is that the Jewish people believed it and carved their unique place in world civilizations because of it. Perception became reality. Likewise, on a more mundane scale, one will succeed in a P.R. campaign only if the perception fostered truly resonates with the public. I do not believe people are easily duped. You may try everything in your bag of tricks to get the public to see things your way. You’ll pull it off only if the perception you seek to convey fits the reality of the public, the reality of the times. As Pretkanis and Eronson argue, credibility today is manufactured, and not earned. P.R. OR PUBLICITY? Often, the terms “public relations” and “publicity” are used interchangeably. They shouldn’t be. Publicity is only one manifestation of P.R.-specifically, achieving notoriety through accumulated press exposure. A publicist knows newspapers, magazines, and TV talk shows. Public Relations is much more than that. The Public Relations expert is as well versed in human nature as in editorial and sound bytes. P.R. can be as macro as a campaign to persuade foreign governments so buy U.S. soybeans, or as micro as a warm handshake. The notion that P.R. is simply a matter of mailing press releases is nuttier than a squirrel’s breakfast. As producer, manager, and publicist Jay Bernstein says, “P.R. is getting a front table at the right restaurant, getting you invited to the right party, and getting into first class with a tourist ticket.” A man who has greatly affected my thinking, the esteemed business author and lecturer Tom Peters, tells the story of a visit to a neighborhood convenience store. “American Express was being a little user-unfriendly,” Tom recalls, “and it took a good three minutes for my AMEX card to clear. When it finally did, the cashier bagged my purchase, and as I turned to go reached into a jar of two-cent foil-wrapped mints. He pulled one out, dropped it in my bag, and said, ‘The delay you experienced was inexcusable. I apologize and hope it doesn’t happen again. Come back soon.’ For two cents, he bought my loyalty for life.” This story is about one small business owner and only one customer, but it’s a perfect example of good P.R. But what about bad P.R.? I doubt there’s anyone on the scene who has mastered that dubious craft better than sometime-billionaire Donald Trump. This is a man who has lost control of his own gilded ship. His lurid infidelities, his profligate spending, his precipitous fall from fortune, and, worst of all, his attempt to exploit the Mike Tyson rape tragedy to promote a prize fight, collectively paint a portrait of a thoroughly vulgar mind. The Donald doesn’t care what you say about him, as long as you spell his name right. True, whenever he opens his mouth or makes a move, the press is all over him. But his massive celebrity has made him only a famous fool. You are not likely to achieve the degree of fame that Mr. Trump has, but, given his shameful image, I would congratulate you on that. P.R. VS. MARKETING With Guerrilla P.R. (and P.R. in general), you do not tell the public that your new digital fish cleaner is the greatest invention since the dawn of time. You could easily do that in an ad. Your goal is to lead people to draw that same conclusion for themselves. Otherwise, you’re engaging in good old-fashioned- or is it new-fashioned?-marketing strategy. Companies often relegate public relations to their marketing departments. That might make sense from a corporate point of view, but there’s a distinct difference between P.R. and marketing. Going back to the “science vs. art” analogy, whereas P.R. is the art, marketing is the science. Bob Serling, President of the Stratford Marketing Group, an L.A.-based marketing firm, has written, “Marketing is everything you do to make sure your customers find out about, and buy, your products and services.” That’s a tall order, and to go about filling it, marketing executives lug around a hefty bag of tricks. To a large degree, they rely on surveys, demographic analyses and established sales and advertising procedures to accomplish their goals. But in Public Relations, intangibles play a far greater role. How do you measure a feeling? It’s not easy, but in P.R. we trade in the realm of feelings every day. We may use the media as the vehicle, but the landscape we traverse is contoured by human emotion. Marketing often goes hand-in-hand with advertising. The undeniable advantage with advertising is that the advertiser retains full control. He knows exactly what his message will say and precisely when it will be seen. But remember this little fact of life: most top ad agencies consider a 1-2 percent response rate a triumph. That’s all it takes to make them happy. And, like it or not, most people don’t take ads as seriously as advertisers would like. Everybody knows they’re bought and paid for. I prefer the odds with major media exposure. True, you do lose a large measure of control, and you never know for sure when or how your message will be conveyed. But the public is far likelier to accept what it gleans from the news media over what it sees in commercials. If Dan Rather says a new sports shoe is a daring innovation, people will give that more credence than if company spokesman Bo Jackson says it. The news, indeed the truth, is what Dan Rather says it is. So who tells Dan Rather what’s news? The media like to boast they rely on ace newsgathering staffs; but in fact they depend a great deal on public relations people. That doesn’t mean the journalists of America are saps. They’re just looking for good stories. A hungry reporter and a smart publicist is a match made in heaven, and it’s been that way since the dawn of the Communication Age. FROM THE GUERRILLA P.R. FILE In Amarillo, Texas, you’ll find the Big Texan Steak Ranch, where the owner issues the following challenge: If you can eat a seventy-two-ounce steak in an hour, you get it free. News of the deal traveled far and wide, even to the skies where I first read about it in an airline magazine. GLORY DAYS: THE FOUNDING OF THE P.R. INDUSTRY The public relations industry flourished with the growth of twentieth-century mass media, although sensitivity to public opinion on the part of public figures is nothing new. Even Abraham Lincoln got into the act, declaring once, “What kills a skunk is the publicity it gives itself.” The fathers of modern P.R. knew the value of simple images to convey powerful messages. Edward Bernays, founder of modern P.R., defined his mission as the engineering of consent. He was a nephew of Sigmund Freud, and he strikes me as having been just as perceptive about human nature as his esteemed uncle. Bernays displayed a genius for concocting indelible images, something good P.R. campaigns require. In one early triumph, he arranged for young debutantes to smoke Lucky Strikes while strolling in New York’s 1929 Easter Parade. What Bernays sold to the press as a bold political statement on women’s rights was no more than a gimmick to sell cigarettes. Pioneers like publicist/film producer A.C. Lyles set the pace for generations of publicists to follow. Another innovator, Ivy Hill, is often credited with inventing the press release. Hill believed telling the “truth” in journalistic fashion would help shape public opinion. He sensed editors would not dismiss press releases as ads, but rather would perceive their real news value. He was right. The publicist’s ability to appeal to newspapers proved invaluable to captains of industry seeking to shore up their images. Back in the 1920s, Hill masterminded industrialist John D. Rockefeller’s much-ridiculed habit of handing out dimes to every child he met. Ridiculous but effective in its time. (Imagine T.Boone Pickens trying that today.) Occasionally, clients got less than they bargained for. In the late 1950s, the Ford Motor Company hired P.R. trail-blazer Ben Sonnenberg to help overcome the negative fallout from the Edsel fiasco. He charged Ford $50,000 for a foolproof P.R. plan, and after three days submitted it in person. Sonnenberg looked the breathless executives in the eye and intoned, “Do nothing.” With that, the dapper publicist pocketed his check and walked out, much to the slack-jawed shock of the Ford brain trust. Even nations sometimes need help. During the 1970s, Argentina developed a little P.R. problem when its government kidnapped and murdered thousands of its own citizens. Buenos Aires hired the high-powered U.S. firm of Burson- Marsteller to tidy things up. For a cool $1,000,000, the firm launched an extensive campaign involving opinion-makers from around the world: a stream of press releases stressed, among other things, the Argentine regime’s record in fighting terrorism. Sometimes the truth can be stretched until it tears itself in half. I don’t wish to give the impression that P.R. is strictly a polite version of lying. That’s not the case. As I said, P.R. is gift-wrapping. Whether delivered in fancy or plain paper, truth is truth, and the public ultimately comprehends it. The trick is packaging the truth on your own terms. How often have you read about a big movie s Writing a Press Release: The Media's Dirty Secret s a campaign to persuade foreign governments so buy
U.S. soybeans, or as micro as a warm handshake. The notion that P.R. is
simply a matter of mailing press releases is nuttier than a squirrel’s
breakfast. As producer, manager, and publicist Jay Bernstein says, “P.R. is
getting a front table at the right restaurant, getting you invited to the right
party, and getting into first class with a tourist ticket.”There's a dirty little secret about press releases that the media doesn't want you to know. The fact is, most of them travel directly from the sender’s computer to the reporter’s trash box. Or from out of the envelope into the "round file."That's part of the reason reporters don't like to be asked "did you see my press release." They probably did, but they threw it in the trash so they don't remember yours specificially.But you do still need press releases sometimes. (Like, when you have news.) So when you do, remember this.You may already know that every press release has a headline – a short title – and a lead, or first paragraph. What you may not know is that virtually nothing else in your release matters!The job of a release is to attract and pique the reporter to read on. Keep the “head” and the “lead” snappy – and short. Make them compelling, intriguing, and grabbing.(But still true, please. This is no time to emulate a supermarket tabloid. Do not claim, for instance, that famous stars are among your clients, just because the former quarterback of the high school football team uses your services.)To get the best chance for publicity from your press release, put as much time into carefully crafting these two inches of your masterpiece as you allot to writing the entire rest of the release. I am not kidding! A man who has greatly affected my thinking, the esteemed business author and lecturer Tom Peters, tells the story of a visit to a neighborhood convenience store. “American Express was being a little user-unfriendly,” Tom recalls, “and it took a good three minutes for my AMEX card to clear. When it finally did, the cashier bagged my purchase, and as I turned to go reached into a jar of two-cent foil-wrapped mints. He pulled one out, dropped it in my bag, and said, ‘The delay you experienced was inexcusable. I apologize and hope it doesn’t happen again. Come back soon.’ For two cents, he bought my loyalty for life.” This story is about one small business owner and only one customer, but it’s a perfect example of good P.R. But what about bad P.R.? I doubt there’s anyone on the scene who has mastered that dubious craft better than sometime-billionaire Donald Trump. This is a man who has lost control of his own gilded ship. His lurid infidelities, his profligate spending, his precipitous fall from fortune, and, worst of all, his attempt to exploit the Mike Tyson rape tragedy to promote a prize fight, collectively paint a portrait of a thoroughly vulgar mind. The Donald doesn’t care what you say about him, as long as you spell his name right. True, whenever he opens his mouth or makes a move, the press is all over him. But his massive celebrity has made him only a famous fool. You are not likely to achieve the degree of fame that Mr. Trump has, but, given his shameful image, I would congratulate you on that. P.R. VS. MARKETING With Guerrilla P.R. (and P.R. in general), you do not tell the public that your new digital fish cleaner is the greatest invention since the dawn of time. You could easily do that in an ad. Your goal is to lead people to draw that same conclusion for themselves. Otherwise, you’re engaging in good old-fashioned- or is it new-fashioned?-marketing strategy. Companies often relegate public relations to their marketing departments. That might make sense from a corporate point of view, but there’s a distinct difference between P.R. and marketing. Going back to the “science vs. art” analogy, whereas P.R. is the art, marketing is the science. Bob Serling, President of the Stratford Marketing Group, an L.A.-based marketing firm, has written, “Marketing is everything you do to make sure your customers find out about, and buy, your products and services.” That’s a tall order, and to go about filling it, marketing executives lug around a hefty bag of tricks. To a large degree, they rely on surveys, demographic analyses and established sales and advertising procedures to accomplish their goals. But in Public Relations, intangibles play a far greater role. How do you measure a feeling? It’s not easy, but in P.R. we trade in the realm of feelings every day. We may use the media as the vehicle, but the landscape we traverse is contoured by human emotion. Marketing often goes hand-in-hand with advertising. The undeniable advantage with advertising is that the advertiser retains full control. He knows exactly what his message will say and precisely when it will be seen. But remember this little fact of life: most top ad agencies consider a 1-2 percent response rate a triumph. That’s all it takes to make them happy. And, like it or not, most people don’t take ads as seriously as advertisers would like. Everybody knows they’re bought and paid for. I prefer the odds with major media exposure. True, you do lose a large measure of control, and you never know for sure when or how your message will be conveyed. But the public is far likelier to accept what it gleans from the news media over what it sees in commercials. If Dan Rather says a new sports shoe is a daring innovation, people will give that more credence than if company spokesman Bo Jackson says it. The news, indeed the truth, is what Dan Rather says it is. So who tells Dan Rather what’s news? The media like to boast they rely on ace newsgathering staffs; but in fact they depend a great deal on public relations people. That doesn’t mean the journalists of America are saps. They’re just looking for good stories. A hungry reporter and a smart publicist is a match made in heaven, and it’s been that way since the dawn of the Communication Age. FROM THE GUERRILLA P.R. FILE In Amarillo, Texas, you’ll find the Big Texan Steak Ranch, where the owner issues the following challenge: If you can eat a seventy-two-ounce steak in an hour, you get it free. News of the deal traveled far and wide, even to the skies where I first read about it in an airline magazine. GLORY DAYS: THE FOUNDING OF THE P.R. INDUSTRY The public relations industry flourished with the growth of twentieth-century mass media, although sensitivity to public opinion on the part of public figures is nothing new. Even Abraham Lincoln got into the act, declaring once, “What kills a skunk is the publicity it gives itself.” The fathers of modern P.R. knew the value of simple images to convey powerful messages. Edward Bernays, founder of modern P.R., defined his mission as the engineering of consent. He was a nephew of Sigmund Freud, and he strikes me as having been just as perceptive about human nature as his esteemed uncle. Bernays displayed a genius for concocting indelible images, something good P.R. campaigns require. In one early triumph, he arranged for young debutantes to smoke Lucky Strikes while strolling in New York’s 1929 Easter Parade. What Bernays sold to the press as a bold political statement on women’s rights was no more than a gimmick to sell cigarettes. Pioneers like publicist/film producer A.C. Lyles set the pace for generations of publicists to follow. Another innovator, Ivy Hill, is often credited with inventing the press release. Hill believed telling the “truth” in journalistic fashion would help shape public opinion. He sensed editors would not dismiss press releases as ads, but rather would perceive their real news value. He was right. The publicist’s ability to appeal to newspapers proved invaluable to captains of industry seeking to shore up their images. Back in the 1920s, Hill masterminded industrialist John D. Rockefeller’s much-ridiculed habit of handing out dimes to every child he met. Ridiculous but effective in its time. (Imagine T.Boone Pickens trying that today.) Occasionally, clients got less than they bargained for. In the late 1950s, the Ford Motor Company hired P.R. trail-blazer Ben Sonnenberg to help overcome the negative fallout from the Edsel fiasco. He charged Ford $50,000 for a foolproof P.R. plan, and after three days submitted it in person. Sonnenberg looked the breathless executives in the eye and intoned, “Do nothing.” With that, the dapper publicist pocketed his check and walked out, much to the slack-jawed shock of the Ford brain trust. Even nations sometimes need help. During the 1970s, Argentina developed a little P.R. problem when its government kidnapped and murdered thousands of its own citizens. Buenos Aires hired the high-powered U.S. firm of Burson- Marsteller to tidy things up. For a cool $1,000,000, the firm launched an extensive campaign involving opinion-makers from around the world: a stream of press releases stressed, among other things, the Argentine regime’s record in fighting terrorism. Sometimes the truth can be stretched until it tears itself in half. I don’t wish to give the impression that P.R. is strictly a polite version of lying. That’s not the case. As I said, P.R. is gift-wrapping. Whether delivered in fancy or plain paper, truth is truth, and the public ultimately comprehends it. The trick is packaging the truth on your own terms. How often have you read about a big movie s Hummer is an Excellent Brand ver what it sees in commercials. If Dan Rather says a new
sports shoe is a daring innovation, people will give that more credence than
if company spokesman Bo Jackson says it. The news, indeed the truth, is
what Dan Rather says it is.What size is your Hummer? Hummers Come in All Sizes; Tiny, small, medium and large and of course the most popular of all; The Oh My God Size. They make matchbox size Hummers, Tonka Toy size and adult size. Are you quite sure you know your hummer sizes. Marketers of the Hummer Brand want to be omni present in your life and it is working. For instance here is a toy hummer you can buy onlinehttp://www.microracers.com/Merchant2/merchant.mv?Screen=PROD&Product_Code=H1-YD&Category_Code=COMOr you can buy a Die Cast Model 1:18 scale Hummer for a toy or novelty gift.http://www.diecastmuscle.com/store/Makes/MA36631YEOr you can buy larger versions of remote control models. Here is another available at Wal-Mart, which is nearly 2 and a half feet long, runs on 49 MHz and is fully radio controlled. It is incredible and it comes in Yellow, I saw it on the shelf; here is the company which makes it:http://www.newbright.com/search1.cfm?id=337Now this unit is one-sixth scale. If that is not the coolest toy around, where were these when you were a kid? I guess we all grew up in the wrong era, didn’t we?However you can go bigger without getting the real thing and this one is perfect for the rough terrain of the golf course; The Humdinger also available in Yellow;http://www.hummin.org/humdinger.htmIt has a rate of acceleration of 0-20 in 9 seconds and is one of the fastest electric golf carts around.Now Hummer has a new SUV in the show rooms to attract a larger range of customers and is suppose to be out to extend the brand name in 2005, it will be called the H3 Hummer still in testing and we saw one at the proving grounds cruising around, sorry no pictures allowed. But the king of the road for now is the H2 Model;http://www.imakenews.com/autospies/e_article000091047.cfmAnd the H1 is considered by it’s owners as the only real hummer. And in the law of bigness there is one more level to the game. They say size does matter and if that is not big enough for the ladies, check out this Big Yellow Limo?http://www.hummerstyle.com/main.htmHummer has done an excellent job representing their brand name. Even an average citizen can beat out Arnold the “Governator” by renting a “Super Limo” for the day or an evening. The Hummer is here to stay, think about it. So who tells Dan Rather what’s news? The media like to boast they rely on ace newsgathering staffs; but in fact they depend a great deal on public relations people. That doesn’t mean the journalists of America are saps. They’re just looking for good stories. A hungry reporter and a smart publicist is a match made in heaven, and it’s been that way since the dawn of the Communication Age. FROM THE GUERRILLA P.R. FILE In Amarillo, Texas, you’ll find the Big Texan Steak Ranch, where the owner issues the following challenge: If you can eat a seventy-two-ounce steak in an hour, you get it free. News of the deal traveled far and wide, even to the skies where I first read about it in an airline magazine. GLORY DAYS: THE FOUNDING OF THE P.R. INDUSTRY The public relations industry flourished with the growth of twentieth-century mass media, although sensitivity to public opinion on the part of public figures is nothing new. Even Abraham Lincoln got into the act, declaring once, “What kills a skunk is the publicity it gives itself.” The fathers of modern P.R. knew the value of simple images to convey powerful messages. Edward Bernays, founder of modern P.R., defined his mission as the engineering of consent. He was a nephew of Sigmund Freud, and he strikes me as having been just as perceptive about human nature as his esteemed uncle. Bernays displayed a genius for concocting indelible images, something good P.R. campaigns require. In one early triumph, he arranged for young debutantes to smoke Lucky Strikes while strolling in New York’s 1929 Easter Parade. What Bernays sold to the press as a bold political statement on women’s rights was no more than a gimmick to sell cigarettes. Pioneers like publicist/film producer A.C. Lyles set the pace for generations of publicists to follow. Another innovator, Ivy Hill, is often credited with inventing the press release. Hill believed telling the “truth” in journalistic fashion would help shape public opinion. He sensed editors would not dismiss press releases as ads, but rather would perceive their real news value. He was right. The publicist’s ability to appeal to newspapers proved invaluable to captains of industry seeking to shore up their images. Back in the 1920s, Hill masterminded industrialist John D. Rockefeller’s much-ridiculed habit of handing out dimes to every child he met. Ridiculous but effective in its time. (Imagine T.Boone Pickens trying that today.) Occasionally, clients got less than they bargained for. In the late 1950s, the Ford Motor Company hired P.R. trail-blazer Ben Sonnenberg to help overcome the negative fallout from the Edsel fiasco. He charged Ford $50,000 for a foolproof P.R. plan, and after three days submitted it in person. Sonnenberg looked the breathless executives in the eye and intoned, “Do nothing.” With that, the dapper publicist pocketed his check and walked out, much to the slack-jawed shock of the Ford brain trust. Even nations sometimes need help. During the 1970s, Argentina developed a little P.R. problem when its government kidnapped and murdered thousands of its own citizens. Buenos Aires hired the high-powered U.S. firm of Burson- Marsteller to tidy things up. For a cool $1,000,000, the firm launched an extensive campaign involving opinion-makers from around the world: a stream of press releases stressed, among other things, the Argentine regime’s record in fighting terrorism. Sometimes the truth can be stretched until it tears itself in half. I don’t wish to give the impression that P.R. is strictly a polite version of lying. That’s not the case. As I said, P.R. is gift-wrapping. Whether delivered in fancy or plain paper, truth is truth, and the public ultimately comprehends it. The trick is packaging the truth on your own terms. How often have you read about a big movie star storming off the set of a film because of “creative differences” with the director? We all know the two egomaniacs probably hated each other’s guts. But if the papers printed that, we’d perceive the situation very differently. By our soft-pedaling the row with words like “creative differences,” the movie star’s reputation remains intact, even though intuition tells us he’s “difficult.” MORE THAN ONE PUBLIC Thus far, when referring to the public, I’ve generalized to mean the population at large: We the People. The sophisticated modern art of P.R. encompasses many more “publics” than that. In fact, selective targeting is a primary tactic in sound P.R. strategies. As you will see, bigger is not always better. Depending on the goals, a publicist could target any one of various business, consumer, or governmental communities. An investor seeking financial backing aims for the financial press and relevant trade publications. A rock musician zeroes in on the local music rags. A lobbyist might need nothing more than a friendly article in the Washington Post, a retailer only the residents of his immediate neighborhood. Though I’ve found a few clients easily dazzled by quantity, in P.R. quality is what really counts. A seven-inch stack of press clippings means nothing unless the objectives of the campaign have been met. The scrapbook makes a great Mother’s Day gift, but I’d rather see my clients’ careers advanced in the right direction. Figuring out which public to reach is one of the most critical decisions a publicist makes. My orientation-and, I hope, yours-is geared toward the most significant audience vis-?-vis your objectives, which is not necessarily the widest. You may want to target the people you buy from, the people you hope to sell to, the people you work for, the people that work for you, and so on. It’s a big world full of little worlds when you look closely. In most cases I spell out precisely who and what I’m going after, and then proceed aggressively. Don’t go for the moon all at once. Set a goal, achieve it, then build on that base. Any good planner knows the advantages of thinking three steps ahead while proceeding one step at a time. FROM THE GUERRILLA P.R. FILE The history-making August 1991 revolution in the former Soviet Union began when then-president Mikhail Gorbachev left Moscow for a vacation on the Crimean Sea. Because the whole affair had a happy ending, everybody laughed when, only a few days later, the president of an outdoor billboard company in Detroit ran a series of large ads all over town reading: “Welcome Back, Gorby! Next Time Vacation in Michigan.” MICHAEL LEVINE’S TEN COMMANDMENTS FOR DEALING WITH MEDIA Never be boring. Never! Know your subject thoroughly. Know the media you contact. Read the paper, watch the newscast. Cover you bases. Don’t just take “yes” for an answer. Follow up, follow through. Never feel satisfied. Always maintain your composure. Think several moves ahead. Be persistent, but move on when you’re convinced you’re getting nowhere. Remember, this isn’t brain surgery. Don’t take yourself too seriously (like too many publicists I know). Have fun.
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